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Compressor audio logic pro x free
In this article, I will not only explain each compressor type , but also demo and compare each of them on vocals, electric bass guitar, high gain metal rhythm guitars with lots of low end spikes, drum bus, drum room mics, and strummed acoustic guitar , so you can hear how each compressor reacts differently to the same audio source.
Keep in mind the nitty-gritty is in the comparison section of the article— knowing what hardware each Logic compressor is based on is much less important than knowing which one to use on what audio sources. If you are more a visual learner, you can watch my video guide below! Very few compressors out there are red and have those kind of knobs:. Focusrite Red 3 Dual Compressor Hardware. You do want to remember that VCA compressors are generally very versatile because you can set the attack and release to be very fast or very slow.
VCA compressors typically also have all the controls , so besides attack and release, they will have ratio, threshold and sometimes knee. Some even offer more controls for tone shaping, like the API The Focusrite Red 3 Dual Compressor hardware is known to be very clean and punchy.
Its output transformer is also supposed to add some non-linear enhancement to the audio source. The Studio FET compressor is based on the classic Blackface , which you have might come across, since there are so many plugin emulations of it. FET stands for Field Effect Transistor —another completely useless fact you can use to impress people. The Classic VCA compressor is based on the dbx a. A lot of people love it on the drum bus or the master bus. This is a VCA compressor, so it gives you quite a bit of control.
Optical compressors are known to be some of the slowest kind of compressors , but the nonlinear behaviors of the attack and release make people love optical compressors for their musical and smooth compression. Because optical compressors are tube compressors, they also add some nice tube warmth and saturation to the audio. What matters is knowing how these compressors sound and behave, so you can choose the right one for the right audio source.
I have set up the audio players below so you can easily switch among different compressors and compare them. Some compressors have a knee control, and I have set them all to 0. All the compressors are doing the same amount of gain reduction as well. Lastly, I made sure they are all volume-matched , so we are not fooled by loudness. I liked the Studio VCA the most because it was able to drastically reduce the dynamic range of the vocals and really flatten them in a pleasant way.
Even with 20 dB of gain reduction, the vocals sounded really smooth, which is exactly what you want for great vocal compression. The Studio VCA also adds some really nice harmonic saturation to the vocals, making them a bit warmer and thicker. I thought the Platinum Digital and the Classic VCA sounded the worst because I could hear very noticeable volume drop whenever there is a loud part, and I could hear the vocal levels fluctuate quite a lot, which is really not ideal for vocal compression.
Aside from the best and the worst, the rest of the compressors all sounded pretty similar to one another, and they sounded okay. Now of course I know with different settings you might get better results, because if these plugin emulations are anywhere like the hardware counterparts, their attack and release should be all different from one compressor to another, even at the same values.
I just used the same settings for all for demonstration purposes. In this comparison, we have some fast metal guitar riffs that contain a lot of palm mutes.
They have plenty of low frequency jumps and they are very dynamic. Good compression on metal rhythm guitars means reducing these palm mute jumps in an unnoticeable way , while retaining the punch of the palm mutes. We would need a compressor with really fast attack and release for that.
Again, all the compressors have the same settings, which are fast attack, fastest release, 4 to 1 ratio, and a hard knee if there is a knee control. All the compressors do the same amount of gain reduction as well.
This time, quite a few of the compressors sounded equally good, but the Platinum Digital still sounded the worst, with the Classic VCA sounding the second worst again. I believe the Studio VCA sounded the cleanest, in that it colored the audio the least, while the Vintage Opto and the Vintage VCA added a subtle but nice mid-range bite to the guitar tone.
The Platinum Digital and the Classic VCA, however, really struggled to keep up big time, even though I used a really fast attack and the fastest release. Very good performance and recording. All the compressors are set to 12 milliseconds for attack, 51 milliseconds for release, 2 to 1 ratio, and a medium knee if there is a knee control.
They are all doing about 5 to 7 db of gain reduction. I did notice that some compressors changed the tone of the acoustic guitar very slightly. For this particular bass track, I have set all the compressors to 8 milliseconds for attack, milliseconds for release, 4 to 1 ratio, and medium knee if there is a knee control. All compressors do the same amount of gain reduction. To my ears, the clear winner is the Platinum Digital. It sounded the most natural, most transparent and the cleanest.
The drum bus is always my favorite thing to test compressors on. First, take a listen to the uncompressed version:. We are going to hear how these different compressors will react to the drum transients. All the compressors have 50 milliseconds for attack, fastest release, 4 to 1 ratio and a hard knee if there is a knee control, and they are all doing 4 to 6 db of gain reduction.
The rest of the compressors are very close. They are all slightly different and I can see someone liking any one of these over the others. I really like that it kind of chops off the snare transients a bit like a clipper and in a very pleasantly aggressive way, while maintaining the clarity and punch of both the snare and the kick. This really marries the snare and the kick, and it glues the whole drum kit together.
One of the things mixing engineers love to do when mixing rock or metal drums is to use a compressor to smash the drum rooms, and not every compressor works well for that. Below is the unprocessed drum room mics recording from the same performance as the one above:. As you can hear, this is a very large drum room with a really awesome room sound. The gain reduction is about 10 to 15 db. I think we have a very clear loser here, which is the Platinum Digital.
In the meantime, I think all the other 6 compressors sounded really awesome and they all have their own flavor. The Studio VCA is exceptionally clean, and handles the transients, especially the ones from the kick, really well. My favorite would be the Vintage VCA because it clips the transients the way I like, and I like the mild distortion you get from it, but all the other compressors, except for Platinum Digital, are good options for smashing the drum room.
After testing all these compressors out, I came to three conclusions. One is that, they are all really good. Whether you are a professional audio engineer or a songwriter, these compressors should be able to satisfy a lot of your needs. Third is that, damn that Studio VCA is such a good compressor on almost everything. Good job Apple! Hopefully you now have a better understanding of these 7 compressors in Logic Pro X. Be sure to check out my YouTube channel if you are into audio production!
I publish helpful videos on audio production every single week. Feb 4 Written By James Zhan. Platinum Digital. Studio VCA. Studio FET. Classic VCA. Vintage VCA. Vintage FET. Vintage Opto. Hi-Gain Metal Rhythm Guitars In this comparison, we have some fast metal guitar riffs that contain a lot of palm mutes.
Drum Bus The drum bus is always my favorite thing to test compressors on. Drum Room Mics One of the things mixing engineers love to do when mixing rock or metal drums is to use a compressor to smash the drum rooms, and not every compressor works well for that. Conclusion After testing all these compressors out, I came to three conclusions. James Zhan.
Compressor audio logic pro x free.Download Logic Pro X for Pc – Windows 7/8/10 [Latest Version]
This article lists free compressor Logc plugins. A dynamic range compressor is an essential mixing tool and a core part of every digital audio workstation. Owning a high-quality compressor plugin is equally important as having a audjo understanding of how compressors work. Whereas achieving the latter will take some practice, we can help with the first part of that sentence.
Below is our list of the best compressor VST plugins that you can download for free. We included several different types ckmpressor compressor plugins suitable for handling various tasks — from vocal compressor audio logic pro x free and drum жмите сюда to audio mastering. TDR Kotelnikov is the best free compressor plugin for audio mastering. Developed by the DSP experts fre Tokyo Dawn Labs, this plugin delivers transparent dynamic range compression suitable for use on the master bus.
It is one of the top picks in our free music production software article. The plugin features an oversampled signal path with a fast yet entirely transparent compression character. This compressor plugin is proudly digital, and it sounds spotlessly clean. The plugin comprewsor features a sidechain high-pass filter, stereo linking capabilities, and latency compensation.
More info: TDR Kotelnikov. DC1A by /48541.txt is my favorite freeware compressor plugin for use on individual tracks. DC1A is effortless to use, and it has a pleasant analog-like compression character.
With only two control parameters input gain and output volume to worry compressor audio logic pro x free, DC1A is the perfect compressor VST plugin for beginner music producers. The input knob boosts the gain of the incoming audio signal and determines how much dynamic compression will be applied.
The output aueio adjusts the volume of the compressed audio signal. Additional options like parallel compression and dual-mono processing are available from the toolbar located at the bottom of the user interface. It is a variable-mu compressor design with a vintage-style analog sound. More info: DC1A. Molot is my favorite character compressor plugin. That said, Molot is the way to go if you want to add some grit and a touch of analog compression flavor to your mix. Quite frankly, the looks should give you a good idea of what Molot can do to the processed audio signal if pushed to more extreme settings.
On the other hand, Molot is incredibly versatile. It does heavy compression exceptionally well, but it can also work as a more subtle saturation tool on the master bus.
Be sure to read the user manual that comes with Molot. More info: Molot. There are, indeed, two free compressors plugins called Molot. The original Molot and its younger counterpart are so good that we simply had to include both on the list.
What the new TDR Molotok brings to the table are a massively improved interface and numerous workflow enhancements. It features a preset manager, a compressor audio logic pro x free GUI, a bypass switch, and more. On the other hand, it lacks some features of the original Molot. It depends on which interface you prefer and whether or not you need the advanced features from the original release.
More info: TDR Molotok. It also works well on vocals. Although the plugin borrows a lot of its core functionality from the original LA-2A, the developer added a host of new features and workflow enhancements. TLS LEA lets the user fine-tune the attack time and the time constant, making the compressor capable of processing a wide range of audio material.
The plugin handles drums and percussion really всех windows 10 home product key 2019 reddit free интересно!, but you can slow it down, too. In addition to its reasonably standard control layout, SAFE Compressor provides a massive amount of presets. When saving a preset in SAFE Compressor, the plugin asks if you want to store it locally or upload it to the cloud server and share it with other users.
Of course, every compressor audio logic pro x free preset requires manual fine-tuning frer every audio signal is different. That free, inexperienced music producers can benefit from having access to a set of presets that can work as a starting point. More info: RoughRider3. More importantly, it is one of the comprssor LA-2A plugins you can get, free or not. Perfect for compressing vocals and useful on instrument channels and the master bus.
Use the Cree Tool to compress your recordings and audi analog-style saturation. The list of features continues with compressor audio logic pro x free sidechain input and the ability to fdee the amount of drive added to the signal. The детальнее на этой странице can also choose between two metering modes: input volume and gain reduction.
Another great thing about Leveling Tool is the compreseor design. The plugin is simple and easy to use, with a fast workflow and intuitive controls. More info: Leveling Tool. ReaComp is an ultra-configurable compressor optimized comprezsor low CPU usage. It offers feedback compression, ajdio support, compressor audio logic pro x free, auto-release and auto make-up gain modes, a sidechain input with filtering, and detailed gain reduction metering.
More info: Взято отсюда. Unlike any other plugin on this list, MCompressor has a freely adjustable compression shape. Apart from this standout feature, MCompressor offers a set of standard compression knee modes linear, hard, and softa sidechain input, as well as the standard gain and time controls.
The user can adjust compressor audio logic pro x free input and audil volume, compression ratio and threshold, and the attack and release time values. MCompressor also offers the oversampling feature to ensure a crystal-clear sound on the output.
The interface has many different color scheme options, a built-in compressor audio logic pro x free manager, and multiple gain metering options. One annoyance with all MeldaProduction plugins is the installation package. You will also receive a bunch of other freeware plugins like the recently released MCharmVerb reverb effect. More info: MCompressor.
Frontier by D16 Group is primarily a limiter VST plugin, but the software is so versatile that it can substitute a compressor in many situations.
With its adjustable release time and the excellent auto-gain feature, Frontier can be used to quickly boost the loudness нажмите чтобы прочитать больше an audio signal without destroying the comprressor. I often set it to slow release and use it to amplify a drum mix or frse gently even out the volume of stereo buses. You can push the output volume above compressor audio logic pro x free to apply saturation and additional dynamic range compression for a more distorted sound.
A limiter is, by definition, a compressor with a fast attack time and a or higher compression ratio. So, you can learn how to set the threshold and release time parameters with Frontier and then move to a more complex compressor plugin later on.
More info: Frontier. Airwindows plugins are one compressor audio logic pro x free the better-kept loyic of the VST plugin world. His website is an absolute fgee of tremendously helpful virtual compressor audio logic pro x free that can easily rival the quality of commercial software. At the moment, there are over fifty! These are the ones recommended by our readers:.
If you use Compressor audio logic pro x free plugins regularly, join the conversation in the comments section and let us know which one should be featured по этой ссылке the page. A big thank you goes to our reader Michele for suggesting Compessor in the first place. Also, thanks to readers Audip and Mark for sharing their thoughts about Airwindows compressor audio logic pro x free plugins. More info: Airwindows. Do you know of any other compressor VST plugin that compressor audio logic pro x free be included in the article?
Leave a comment to let us know! Tomislav is a content creator pgo sound designer from Belgrade, Serbia. He is also the founder and editor-in-chief here at Bedroom Producers Blog. Buttercomp2 is a favourite for very transparent compression, and Pressure4 is my go to for re-sculpting that muiness control is incredibly powerful.
Copy that! I compresspr forget to mention Airwindows plugins somehow. Xx you can suggest a single compressor that stands out from the rest, I can add that, too. Pop, Buttercomp 2, and Logical are all great, but they each have a characteristic sound that makes them shine in specific use-cases.
Pressure4 is more well-rounded. Thanks, everyone! I will auudio Pressure4 as the top pick in the Airwindows section. Downloading it right now to review. That and Pop are my 2 most used Airwindows compressors because they sound amazing comrpessor slapping them on a channel.
Pyewacket смотрите подробнее instant volume smoothing with a vintage style. Indeed, that one is quite new and it looks rather interesting.
Thanks for the suggestion! Analog Obsession. To my taste they are the best. Lets also keep in mind that not all здесь AO co,pressor is good. Some are obviously not finished, like missing VU functions even they are display like a pic which then does nothing.
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